“Vrăjitorul din Oz”, minunată poveste pentru copii, dar plină de semnificaţii oculte ascunseCu povestea sa memorabilă şi personajele sale pline de culoare, “Vrăjitorul din Oz” a devenit un basm de referinţă al literaturii americane. Deşi au trecut mai mult de 100 de ani de la lansarea acestei cărţi, copiii din întreaga lume sunt încă fascinaţi de minunata lume a lui Oz. Foarte puţini însă ştiu faptul că, sub masca unei poveşti simple, se ascund simboluri ezoterice foarte profunde, inspirate din teozofie.
Deşi “Vrăjitorul din Oz” este perceput a fi un basm inocent pentru copii, totuşi personajelor şi simbolurilor din această povestire li se poate oferi o a doua interpretare, care variază foarte mult în funcţie de percepţia cititorului. Multe analize care au apărut de-a lungul anilor descriu această povestire ca un “manifest ateist”, în timp ce altele o văd ca fiind o promovare a populismului. Pentru a înţelege adevărul, trebuie să vedem mai întâi care erau crezurile autorului acestui basm.
Teozofia, la baza acestui basmFrank Baum, autorul “Vrăjitorului din Oz” era membru al Societăţii Teozofice, o organizaţie bazată pe cercetarea ocultă şi pe studiul comparativ al religiilor. Baum avea o înţelegere profundă a teozofiei, şi, conştient sau nu, a creat în “Vrăjitorul din Oz” o alegorie care se baza pe învăţăturile teozofice.
Societatea Teozofică este o organizaţie ocultă, care se bazează în cea mai mare parte pe învăţăturile lui Helena P. Blavatsky, ce căuta o rădăcină comună a tuturor religiilor, cu scopul de a forma o doctrină universală. Astfel, ea declara la lansarea cărţii “Doctrina secretă”: “Învăţăturile conţinute în această carte, chiar dacă sunt fragmentare şi incomplete, nu aparţin nici hinduismului, nici zoroastrismului, nici religiei egiptene, nici budismului, islamismului, iudaismului sau creştinismului. Doctrina secretă este esenţa tuturor acestor religii”.
Cele trei obiective declarate ale teozofiei sunt:
1) să formeze nucleul unei frăţii universale a umanităţii, fără deosebire de rasă, naţiune, sex, castă sau culoarea pielii.
2) să încurajeze studiul comparativ al religiei, filozofiei şi ştiinţei.
3) să investigheze legile neexplicate ale naturii şi puterile latente din interiorul oamenilor.
La baza învăţăturii teozofice se află acelaşi principiu găsit şi alte şcoli oculte: credinţa prezenţei unei scântei divine în fiecare om, care, dacă este “cultivată şi antrenată” poate duce la iluminarea spirituală şi la o stare de “dumnezeire virtuală”. Un alt principiu important găsit în teozofie este reîncarnarea, care presupune faptul că sufletul uman, ca şi alte lucruri din Univers, trece prin şapte stadii de dezvoltare. Scopul sublim al teozofiei este întoarcerea la statutul de divinitate din care provenim. Se poate observa că aceste principii (cu câteva variaţii) pot fi găsite şi-n alte şcoli de ocultism, ca rozicrucianism sau francmasonerie.
Autorul “Vrăjitorului din Oz” era membru al Societăţii TeozoficeÎnainte de a scrie “Vrăjitorul din Oz”, Baum a avut mai multe slujbe, una din ele fiind aceea de editor al lui “Aberdeen Saturday Pioneer”. În 1890, Baum a scris o serie de articole, prin care îi conducea pe cititorii săi în teozofie, inclusiv în viziunile sale asupra lui Buddha, Mohamed, Confucius şi Cristos. În acel moment, el nu era membru al Societăţii Teozofice, dar arăta o înţelegere profundă a filozofiei sale. Iată, de exemplu, un fragment dintr-un articol de al său:
În jurul numeroaselor secte pe care le găsim astăzi în America, şi care se abzează pe ocultism, teozofia se remarcă prin inteligenţă. Ea nu este o religie; adepţii săi sunt doar simpli “căutători ai adevărului”. Teozofiştii sunt, de fapt dezamăgiţi de lume; ei îşi caută originile printre oamenii înţelepţi ai Indiei, fiind numeroşi nu doar în Orientul Mijlociu, ci şi în ţări ca Anglia, Franţa, Germania şi Rusia. Ei acceptă existenţa lui Dumnezeu, care este Natura.
Într-un alt articol, acelaşi Baum discută despre folosirea simbolismului şi ocultismului în literatură:
“Există o tendinţă puternică a scriitorilor moderni înspre introducerea unui misticism sau ocultism în scrierile lor. (…) În momentul în care avem din ce în ce mai multe cunoştinţe, dorinţa noastră de cunoaştere creşte, şi suntem mai puţin satisfăcuţi pentru a rămâne în ignoranţă (…) Apetitul generaţiei noastre pentru ocultism cere să fie satisfăcut, căci oamenii vor avea gânduri din ce în ce mai nobile şi mai puternice”.
La 4 septembrie 1892 (la 2 ani după publicarea “Vrăjitorului din Oz”), Frank Baum şi soţia sa, Maug Gage, au devenit membri ai Societăţii Teozofice din Chicago.
În ceea ce priveşte sursa de inspiraţie care a avut-o atunci când a scris “Vrăjitorul din Oz”, Baum a declarat: “A fost inspiraţie pură. Mi-a venit din nimic. Uneori, cred că Marele Autor mi-a trimis un mesaj, şi El m-a folosit ca instrument al Său. Eu s-a întâmplat să fiu acest mijlocitor, şi cred că cheia magică mi-a fost dată pentru a deschide uşile înţelegerii, bucuriei, păcii şi fericirii”.
Povestea “Vrăjitorului din Oz”Dacă n-aţi citit niciodată această povestire pentru copii, sau nu v-aţi uitat niciodată la filmul ecranizat după acest basm, iată în continuare un scurt rezumat al său. Dorothy Gale este o fetiţă de 12 ani care trăieşte într-o fermă din Kansas alături de mătuşa sa, Em şi unchiul ei, Harry, dar visează să stea într-un loc mai bun, “undeva sub curcubeu”. Într-o zi, Dorothy, în timp ce se afla în casă, este luată prin surprindere de către o tornadă, care o poartă, alături de căţeluşul ei, Toto până în îndepărtatul tărâm de basm Oz. Odată ajunsă pe acel tărâm, Dorothy face cunoştinţă cu oamenii din ţinuturile tărâmului Oz, unde îi întâlneşte pe Sperie–Ciori (omul făcut din paie care îşi dorea să aibă şi el puţină minte), pe Leul cel Laş (care dorea să devină şi el un leu curajos) şi pe Omul Tinichea (a cărei dorinţă era ca la el în piept să bată o inimă la fel ca la toţi oamenii normali).
Când Dorothy află de marele vrăjitor din Oz care se afla în Oraşul Smaragdelor, atunci ea se hotărăşte că trebuie să-l caute şi să ajungă la el pentru a-l ruga să o ajute să se întoarcă acasă, la ferma sa din Kansas. Atunci când cei trei prieteni pe care Dorothy i-a întâlnit pe tărâmul Oz au auzit de puterile pe care le are acest vrăjitor, s-au gândit că îi poate ajuta şi pe ei în prin îndeplinirea dorinţelor pe care ei le aveau.
Călătoria în care ei au pornit, şi anume aceea de a-l găsi pe vrăjitorul din Oz, se dovedeşte a nu fi una foarte uşoară, dar datorită puterilor pe care le aveau fiecare, împreună încearcă să scape de pericolele pe care le întâlnesc în calea lor. După un drum lung şi extenuant, ei ajung la Marele Vrăjitor din Oz, dar acesta nu e de acord să-i ajute pe cei patru atât de uşor, spunându-le că pentru a le îndeplini dorinţele trebuie să treacă prin câteva încercări. Astfel, ei ajung să o omoare pe Vrăjitoarea cea Rea din Apus, descoperă povestea Maimuţelor Înaripate, şi, după toate aceste încercări, se întorc în oraşul Smaragdelor, unde descoperă că vrăjitorul din Oz este de fapt un şarlatan din Omaha.
Semnificaţia ocultă din “Vrăjitorul din Oz”Întreaga poveste “Vrăjitorul din Oz” este una alegorică, ce priveşte calea sufletului către iluminare - “calea pietruită cu cărămizi galbene.” Această cale se aseamănă mult cu “drumul de aur” din buddhism (buddhismul constituind o importantă parte din învăţăturile teozofice). Ferma din Kansas în care locuieşte Dorothy simbolizează lumea materială, planul fizic din care fiecare dintre noi îşi începe călătoria spirituală. Dorothy simte nevoia unui loc minunat, “undeva sub curcubeu”, adică un tărâm eteric.
Tornada care o ridică pe Dorothy şi o duce către tărâmul Oz reprezintă ciclurile de karmă, ciclul erorilor şi a lecţiilor învăţate. De asemenea, reprezintă credinţa teozofică în reîncarnare, ciclul naşterilor şi morţilor, până când sufletul devine divin. Interesant e faptul că “drumul pietruit cu cărămizi galbene” semănă cu o spirală; în ocultism, spirala semnifică însăşi evoluţia, ascensiunea sufletului din materie către lumea spirituală.
Înainte de a-şi începe călătoria, Dorothy poartă nişte “pantofi argintii”, care aduce aminte de “cordonul de argint” al şcolilor de ocultism. În teozofie, corpul fizic este legat de corpul astral prin cordonul de argint, ce simbolizează legătura dintre materie şi spirit. Acest cordon de argint este amintit şi de Biblie, în Ecclesiast (12: 6-7):
6. Mai înainte ca să se rupă funia de argint şi să se spargă vasul de aur şi să se strice ulciorul la izvor şi să se sfărâme roata fântânii,
7. Şi ca pulberea să se întoarcă în pământ cum a fost, iar sufletul să se întoarcă la Dumnezeu, Care l-a dat”.
În timpul călătoriei sale, Dorothy îi întâlneşte pe Sperie–Ciori, pe Omul Tinichea şi pe Leul cel Laş, care se află în căutarea unei minţi, unei inimi şi, respectiv, a unui curaj. Aceste personaje ciudate întruchipează calităţile necesare celor iniţiaţi în desăvârşirea iluminării. Probabil că Baum a fost inspirat de cuvintele lui Madame Blavatsky: “Nu există pericol pe care un curaj să nu-l poată cuceri; nu există nicio încercare pe care o inimă neprihănită să n-o poată trece şi nu există şi nu există nicio dificultate pe care vreo minte puternică să n-o poată depăşi”. De fapt, multe societăţi oculte, contrar dogmelor unor mari religii ale lumii, au susţinut că oamenii trebuie să se bazeze pe ei înşişi în a obţine iluminarea (pe mintea, inima şi pe curajul lor), niciun ajutor divin nefiind necesar.
Interesantă este semnificaţia câinelui lui Dorothy, Toto. Acesta reprezintă intuiţia, vocea interioară, partea instinctuală şi animalică din noi. Toto nu se înşeală niciodată; de exemplu, atunci când el latră la Sperie-Ciori, Dorothy îl apostrofează: “Nu fi prostuţ, Toto. Sperietorile nu vorbesc”. Dar sperietorile vorbesc în tărâmul lui Oz.
Ce semnifică vrăjitorul?După ce trec mai multe obstacole, cei patru ajung în oraşul Smaragdelor, acolo unde îl vor întâlni pe vrăjitor. Acesta pare să fie crud, grosolan şi neînţelept. De fapt, vrăjitorul îl simbolizează pe Dumnezeul Vechiului Testament, pe Yahwe, “personajul” opresiv folosit de religii ca iudaismul şi creştinismul, pentru a ţine masele în “întunecimea spirituală”. Mai târziu, aflăm de fapt că vrăjitorul era doar un şarlatan, care dorea să fie venerat constant de către oameni.
Falsul vrăjitor o invită pe Dorothy sa meargă cu balonul său pentru a se întoarce la ferma din Kansas. Totuşi, ea până la urmă ascultă de Toto (îşi urmează intuiţia) şi coboară din balon (acest lucru simbolizează promisiunile goale ale religiilor). Acest lucru o conduce către ultima sa revelaţie, şi cu ajutorul Bunei Vrăjitoare din Nord (ghidul său divin), Dorothy înţelege că tot ceea ce-şi dorea se afla în spatele fermei sale din Kansas. Aspectul acesta simbolizează faptul că “scânteia divină”, tot ce caută un om în evoluţia sa spirituală, se află ascuns în el însuşi.
Legătura dintre filmul “Vrăjitorul din Oz” (1939), proiectul MK Ultra şi controlul minţiiBasmul lui Baum a fost adaptat în filmul omonim din anul 1939, film regizat de Victor Fleming. Se pare că acest film a fost folosit de către serviciile secrete din SUA, cu scopul de a oferi o bază tematică pentru programul de control al minţii.
Procesul de control al minţii este realizat de către CIA prin intermediul aşa-zisului “proiect Monarch”. În cadrul proiectului Monarch, subiectul este expus unei traume atât de violente, încât mintea sa creează o separare. Mintea sa devine divizată, şi astfel apare o nouă personalitate, modelată de către manipulatori. Atunci când o persoană suferă o traumă indusă de un electroşoc, va simţi o stare de “minte uşoară”, de parcă ar zbura asemenea unui fluture. Există, de asemenea, o reprezentare simbolică privind metamorfoza acestei frumoase insecte: dintr-o omidă, ea se transformă în cocon (ce reprezintă inactivitatea), şi apoi în fluture (noua creaţie), ce se va întoarce la punctul său de origine. Asemenea model migrator face ca fluturele să fie o specie unică. Trebuie să reţinem de aici faptul că fluturele reprezintă simbolul controlului minţii. În timpul “reeducării” lor, subiecţilor li se sugerează că au de-a face cu numeroase simboluri, ca arbori, pânze de păianjen, măşti, labirinturi, fluturi etc.
Iată câteva exemple privind folosirea filmului “Vrăjitorul din Oz” pentru controlul minţii umane:
Relaţia apropiată dintre Dorothy şi câinele său simbolizează o conexiune foarte subtilă cu folosirea animalelor de către cultele satanice. Unui copil folosit într-un experiment Monarch i se va permite să se lege sentimental de un câine, pentru ca ulterior să fie ucis, pentru a-l traumatiza pe copil.
“Sclavii” din proiectul Monarch sunt învăţaţi să urmeze “drumul pietruit cu cărămizi galbene”, indiferente câte lucruri înfricoşătoare se află pe această cale.
Curcubeul cu şapte culori are o semnificaţie ocultă, putând fi folosit în dispozitive de hipnoză.
Atunci când Dorothy a adormit într-un lan de maci, acest lucru poate semnifica faptul că se folosesc droguri pentru a manipula victimele supuse procesului de control al minţii.
Sursa: http://www.lovendal.net
THE USE OF FICTION IN PROGRAMING MONARCH SLAVESThe history behind the Wizard of Oz programming is interesting. It suggests that the Wizard of Oz has had an important part in the occult world all along. One of the secrets of the Mystery Religions, especially the Egyptian Isis mystery religion was the ability to use drugs and torture to create multiple personalities. The word Oz is known to have been used by its author as an abbreviation for Osirus. Monarch victims have the “golden penis of Osirus” placed into them.
The Grimm brothers, who were cabalistic jews, gathered the folk occult stories together. Their stories are full of spells, trances, and drugs. Sleeping Beauty is put to sleep, and the trigger to wake her is a kiss on the lips. These are serious hints that the occult world didn’t stop programming people with dissociative states and triggers when the ancient Egyptian empires fell. Instead of using modern lingo such as “hypnotize”, they would say “cast a spell.” Later in Freemasonry, the Right Worshipful Master would “charge” (meaning hypnotize) an initiate. The occultist Baum, a member of the Theosophical Society, was inspired by some spirit who gave him the “magic key” to write the Wizard of Oz book, which came out in 1900. The book’s story is full of satanic activity and satanic thinking. The story was chosen in the late 1940s to be the basis for the Illuminati/Intelligence community’s trauma-based total mind control programming. As a way of enhancing the effect of the programming, Monarch slaves are conditioned to place trigger items into their lives.
When the movie was made, Judy Garland, who had lived a life touched by the occult world’s abuse, was chosen to act as Dorothy. Judy’s later husband, Mickey De Vinko was a satanist and the chief assistant to Roy Radin, a rich satanist who worked with the Illuminati, and who controlled the “Process church” covens which had as members mass murderers Berkowitz and Monarch slave Charlie Manson. There are several members of the Carr family, who are also tied into both De Vinko and Radin’s Process Church and the Illuminati. With the numerous long term connections between the Wizard of Oz books, and movie to the highest levels of the occult world, it is not without reason that one can theorize that the original series of 14 Oz books had an ulterior motive behind them. The 14 books of the Oz series are: 1) The Wizard of Oz, 2) The Land of Oz, 3) Ozma of Oz, 4) Dorothy and the Wizard in Oz, 5) The Road to Oz, 6) The Emerald City of Oz, 7) The Patchwork Girl of Oz, 8) Tik-tok of Oz, 9) The Scarecrow of Oz, 10) Rinkitink in Oz, 11) The Lost Princess of Oz, 12) The Tinman Woodsman of Oz, 13) The Magic of Oz, 14) Glinda of Oz. These books are still being sold, and are being read to children who are being programmed with trauma-based total mind control. The 14 books came out in various editions. The originals came out in 1900 and shortly thereafter. In the 1930s, the 1940’s, and the 1950’s the words were retype set and given different pages. (When working with a survivor it might help to identify what decade the edition the slave was programmed with, because the pictures and the page numbers variedfrom edition to edition.) Of course, having good pictures is an asset in programming, because the child will visualize off of the pictures when building its internal world. In addition to this, large Wizard of Oz theme parks are being built by the Illuminati to provide places to carry out programming and to reinforce the programming which traps the minds of Monarch slaves. The best example of this, is the audacious MGM Grand complex in Las Vegas, although other theme parks around America also use a Wizard of Oz theme. If you have read Fritz Springmeier’s Be Wise As Serpents you will know how the Theosophical Society ties in with Freemasonry, Satanism, and Lucis Trust. Several famous members of the Theosophical Society include:
Adolf Hitler (a Satanist who practiced human sacrifice, & who had HPB’s book at his side.)
Mahatma Gandhi (a Hindu guru considered a god by some of his followers. Gandhi was successful with the British in part because of the Theosophical Society.)
H.P. Blavatsky (The founder of the Theosophical Society. She referred to herself as HPB. She was initiated by Illuminatus Mazzini into Carbonarism , a form of Freemasonry, illumined by the Great White Lodge in 1856, was part of the Hermetic Brotherhood of Luxor, and spent lots of time with the Eddy Illuminati family in Vermont, who were well known mediums. She also was a member of the occult fraternities the Order of the Druses, the Adoptive branch of the Ancient & Primitive Rite of Freemasonry, & the hermetic masonic rites of Memphis and Mizraim. She was trained to handle live snakes by Sheik Yusuf ben Makerzi, the chief of the Serpent Handlers, and she was hypnotized by occultist Victor Michal and to some degree from 1866 under his influence.)
Alice Bailey (head of Lucis Trust)
Henry Steel Olcott (an important occultist)
Elvis Presley (a Monarch slave)
Manly P. Hall (an Illuminati Theta Programmer, and at least a Grand Master within the Illuminati who sat on the Grand Druid Council.)
Frank Baum The man who wrote the book The Wizard of Oz was a member of the Theosophical Society. L. Frank Baum lived in South Dakota and created The Wizard of Oz book as a theosophical fairy tale incorporating the “ancient wisdom” of the Mystery Religions. The books have so much material from inside the secret world of the Illuminati, that the few who understand the Illuminati wonder if Baum wasn’t an insider. The moral of the book is that we must rely upon ourselves, for we alone have the power to save ourselves. This was part of the original lie of Satan in the garden. Satan has simply dressed up the same original lie into different packaging and is distributing it worldwide as the most popular American fairy tale. L. Frank Baum explained how he came to write the book, “It was pure inspiration....It came to me right out of the blue. I think that sometimes the Great Author has a message to get across and He has to use the instrument at hand. I happened to be that medium, and I believe the magic key was given me to open the doors to sympathy and understanding, joy, peace and happiness.” (Hearn, Michael P. ed., The Annotated Wizard of Oz. NY: Clarkson N. Potter, 1973, p. 73.) In Baum’s time, the head of the Theosophical Society, H.P. Blavastsky had been putting out her journal called Lucifer. In other words, I highly suspect Baum knew what the Theosophical Society was all about, and that he himself was deeply into the occult. The book The Wizard of Oz came out in 1900. (It wasn’t until 1939 that the movie was made.) This next section will cover the numerous parallels between the Wizard of Oz material and the occult world and the occult world’s programming. This is broken up into 3 sections:
PARALLELS BETWEEN:
A. THE WIZARD OF OZ BOOK & OCCULTISM
B. THE WIZARD OF OZ MOVIE & ILLUMINATI RITUALS
C. THE WIZARD OF OZ SERIES OF BOOKS AND MONARCH PROGRAMMING
For those readers who are unfamiliar with the occult world, some of these parallels at first may seem stretched. When one sees how many parallels there are, then occult nature of the books begins to sink in. The authors could provide the reader with more parallels between Satanism and The Wizard of Oz book, but we believe the following will suffice. (Some parallels may also apply to the movie.)
A.THE WIZARD OF OZ BOOK & OCCULTISM Auntie Em represents HP Blavastsky’s “Mulaprakriti” and Uncle Henry represents HPB’s “Unmanifested Logos”. The carnival huckster (later seen as the Wizard) is advertised as being connected to the royal families of Europe. The Royal families of Europe are secret Satanists, from powerful occult bloodlines. Dorothy is brought to Oz by a cyclone. The word cyclone originally was the greek word cyclone which means both a circle or the coil of a snake. In other words, the snake takes Dorothy to Oz. Dorothy’s three companions represent the mental, emotional, and physical bodies that HPB wrote about. Dorothy acquired these three companions just as Theosophy says we will when we come into incarnation. To quote HPB “There is no danger that dauntless courage cannot conquer; there is not trial that spotless purity cannot pass through; there is no difficulty that strong intellect cannot surmount.” (Algeo, John. “The Wizard of Oz: The Perilous Journey”, The Quest, Summer 1993. Wheaton, Il.: Theosophical Society in Amer.,p. 53.) In the book, the Tin Woodsman was an ordinary being of flesh, but a wicked witch casts a spell on him. He kept chopping off parts of his body, which were then replaced by a tinsmith, until he became the first bionic man, with a completely mechanic body. Boy, hasn’t the Illuminati been trying to do this one!?
In step with Wizard of Oz mind-control programming, the wicked witch & naughty children cannot stand water but dissolve. Robotic clones are created in the minds of Monarch slaves which can only be mentally dissolved by mentally placing water on them. Dorothy goes questing in Oz. Theosophists (New Agers, Satanists, etc.) go on quests.
Oz is shaped like a Mandala with Emerald City in the center, an impassable barrier, four-sidedness, 4 symbolic colors, the circle and the center. The colors and directions given in Oz may also have other symbolic meanings in the occult. For instance, Emerald City is green and green is the fourth point of the Eastern Star (women’s Freemasonry) & Satan’s color. A The route that Dorothy follows in Oz has the shape of a T with its 3 points defining an inverted triangle. The Yellow Brick Road suggests gold, the perfect metal. Gold is considered to be divine & the source of wisdom by the Illuminati. HPB had written “There is a Road, steep and thorny, beset with perils of every kind, but yet a Road, and it leads to the very heart of the universe.” This was the yellow brick road that Baum the Theosophist sought to portray in his fairy tale. The book contains a great deal more perils and adventures on the road than the movie.
The article shows that the great teacher is a humbug but Dorothy and her own companions have the abilities to help themselves if they only will realize their own powers through the help of the good witch of the south. This is in line with the Theosophical Society’s, the Church of Satan’s, and other occult groups teachings which teach that the individual has the capabilities within themselves to achieve anything. One of the Theosophical Society’s publications states, “Prepare thyself, for thou wilt have to travel on alone. The teacher can but point the way.” (“The Voice of Silence” as quoted in “The Wizard of Oz” article, Quest, Summer, 1993 p. 54.) Part of the mind set of Satanism is that reality and fantasy become blurred. This blurring has been part of the brainwashing that is being systematically given to American children. Within Monarch slaves they have an incredibly difficult time trying to differentiate between reality and fantasy because of all the mind programming they have been subjected too. There are several techniques which will determine for Monarch survivors if their memories are real. In the board game called Illuminati!, put out by people connected to the Illuminati, the game states, “Don’t believe any of this, it is all true.” These are the type of double-bind self contradictory statements that Satanists love to spew out. Monarch slaves are programmed full of double-binds. With the Satanist’s penchant for blurring reality in mind, read the following quote where the President of the Theosophical Society admiringly describes the Wizard of Oz, “Part of Baum’s joke is that things are never what they seem. Dorothy seems to be a simple and harmless little girl, but it is she who kills the wicked witches of both East and West. The Scarecrow seems to lack brains, but he has all the ideas in the company. The Tin Woodman seems to lack a heart, but he is so full of sentiment that he is always weeping. The Cowardly Lion seems to be a coward, but he takes brave action whenever it is called for. The Wizard seems to be great and powerful, but he is actually a humbug. Oz seems to be a glorious and delightful land and Kansas to be dry, gray, and dull--but Oz is a world of illusion and Kansas is really home. Things are not what they seem, in Oz or Kansas.”
B. RELATIONSHIPS BETWEEN THE MOVIE & ILLUMINATI RITUAL The close relationship between Dorothy and her dog is a very subtle connection between the satanic cults use of animals (familiars). Those who read Vol. 1, may remember the example written about on how Illuminati Kingpin Alfred I. du Pont’s dog Mummy served as Alfred’s familiar spirit. Animals are very often used in ritual. This connection is very subtle, perhaps too subtle for it to be worthy of mention, except that those in Satanism will see the significance, even though others won’t. What is trivial to one person may not be to the next. A Monarch slave as a child will be allowed to bond with a pet. The child will want to bond with a pet anyway because people are terrifying by this point. Then the pet is killed in porn to traumatize the child. This happens quite frequently.
The Rainbow--with its seven colors have long had an occult significance of being a great spiritual hypnotic device. Constance Cumbey, in her book The Hidden Dangers of the Rainbow, which exposes the New Age Occult Movement, correctly writes, “The Rainbow (also called the Antahkarana or Rainbow Bridge). This is used as a hypnotic device.,, (p.261) The Supreme Council of the 33rd0 of Freemasonry has used the rainbow on the cover of their magazine. In a book teaching Druidism (as in Illuminati Druidism), The 21 Lessons of Meryln, the Rainbow is described as “A true sign of Magic...it exists in both worlds at once!”
Elvira Gulch is a woman who owns 1/2 of the county where Dorothy lives in Kansas. She is shown later in the Land of Oz transformed as a witch. Many of the Illuminati elite are rich and lead double lives. People who meet them at a ritual will see the dark side of these rich people. At the rituals, people are tranced from drugs, chanting, and mind control; they are “over the rainbow.”
Professor Marvel uses a crystal ball which he claims was used by the Priests of Isis. Isis and Osirus are both part of the Ancient Egyptian Mystery religion and modern Satanism.
Kansas is black & white, Oz is in color. Reality is downplayed in witchcraft and satanism. Make believe is considered more colorful than reality. Also as an escape from this world, Satanists use drugs to enhance their perception of colors. Some of the famous writers took drugs which put them into altered states of consciousness in order to release their creativity. Both good and bad witches in Oz carry staffs. In Satanism & the Illuminati, Priestesses also carry similar staffs. Also the idea that there are good and evil witches -- white and black magic is straight from the occult, and follows the Illuminati’s gnostic beliefs. Several scenes involve transference of power via transference of slippers from a witch. In Illuminati ritual, to transfer power, a Matriarch, or Mother of Darkness will kill the person in a position of authority with a strike on the forehead with a special mace like staff, and then put on their slippers. Ruby colored slippers are actually used as a symbol of authority at the Matriarch level in the Illuminati. The shoes are said to be golden at the Mothers of Darkness level in the Illuminati. The bad witch uses poison, poisoned apples and poisoned brew. Satanic covens in real life do this same thing. The wizard is portrayed as someone who rules and is benevolent. In witchcraft, wizards do rule (even though in some groups wizards are simply called witches.)
Winged monkeys in the haunted forest, harken back to the pagan cultures which placed wings on various animal idols. The trees are alive like animals in the film. The Illuminati believe that the trees have spirits. In one of the Oz films, even the stones have personality and talk. This comes straight out of Druidism. The Tin Man is a person which has been part of Illuminati ceremonies. The first initial ceremony that children of the Illuminati may remember is where a Tin Man with an ax watches over their presentation to the coven.
If the parent presents the child, nothing is done, but if the parent refuses to present the children, then the Tin Man in the ritual will use his ax to sever the child’s head on a chopping block. (The Tin Man will also appear in Tin Man programming, and a Tin Man’s Castle may well be built in the Monarch slave’s head, but the point here is that the Tin Man is also part of ritual.)
Dorothy kills the wicked witch of the west by a sharp blow to the forehead with the witch’s staff. This is what is done in the Illuminati, when an elderly witch is being replaced. In both cases, whether in the movie or in real life in the Illuminati, when a witch is killed the people have a ceremony. In real life in the secret world of the Illuminati, a scroll is used to certify that the witch is dead both physically and spiritually. (The movie had this in it.) Just one example of the thousands of Illuminati Grande Dames killed in ritual like this is the recent billionairess Dorris Duke, who was ritually killed in 1993 on Halloween, also called All Hallows Eve, in the Beverly Hills, CA area.
The Illuminati method for killing a Grande Dame and passing her spiritual power on is done with reverence. No blood is to be spilt out of respect for the elderly woman who gives up her life willingly. At death, the last breath is inhaled by the replacement to transfer the power. There may be as many as 2,197 Grande Dames at such a coronation. The Grande Mothers (whose Systems are mistresses for Satan and hierarchy leaders) and the next rank, the Grande Dames, are often veiled in ritual and would wear robes with different colored lining. The different colors of linings show the different grades. A typical Grande Mother vestment or robe is a black satin & velvet dress with a draped neckline, and ritual symbols down the center of the robe. After someone like Dorris Duke willingly gives her (their) life, her head is served on a silver platter at a banquet. For the deeper alters of a high level slave, this is part of their way of life; they are told it is their birthright and heritage. Such alters will not be able to identify with the culture at large. To give up their programming, means giving up their magickal powers and their culture, which they have had to work hard for. To leave they would need to see something that they perceive as better. They are locked into their slavery due do to their exposure to only a secret Illuminati culture and value system. Because of their dissociation with the rest of their own System of alters, they don’t perceive a need to change their lifestyle anymore than a Bushman would be able to feel a need to wear shoes. Why should the Bushman want shoes, if he has gotten along without them? Why should a high level slave want change, when they have gotten along without it? Experience shows that during deprogramming most of the lower level alters will want to escape their abuse, but the higher level ritual alters are so separated from the abuse they don’t want to give up their status and culture. Throughout the movie, scrolls are used. As stated, Moriah continues to use scrolls for their official ritual functions. The wicked witch of the west says that her question was not “to kill or not to kill” Dorothy?, but rather HOW to kill Dorothy for “these things must be done delicately.” This is exactly the attitude displayed within the Illuminati.
The film has occult items such as crystal balls in several scenes, haunted castles, magic and a benevolent wizard. At one point the Lion says, “I do believe in spooks [ghosts], I do, I do, I do, I do.” (Today, intelligence agents are also called spooks.) The Lion, Tinman, Dorothy and the Scarecrow must prove themselves worthy to receive the benevolence from Oz. The occult is full of rituals where the participant must prove himself worthy. The phrase “seeds of learning” is used in Illuminati ceremonies. Staffs like the movie has are used by various occult groups. These staffs often serve as stun guns, so that shocks can be applied during ceremonies. The shocks may be applied so that the victim doesn’t remember the
ceremony.
C. PARALLELS BETWEEN THE WIZARD OF OZ SERIES OF BOOKS AND MONARCH PROGRAMMING The following are parts of the Wizard of Oz Monarch Programming, which is a base programming put in when the child is very young. Some of the slaves know portions of the Wizard of Oz script wordforword. Dorothy is told she doesn’t have a brain if she has gotten into trouble.
Dorothy is looking for a place where there is no trouble which is a place “over the rainbow.” To escape pain, alters go over the rainbow. (This is a.k.a. in Alice In Wonderland Programming as “going through the looking glass”.
Dorothy becomes unconscious, the world begins spinning, and then she see disjointed pictures. This also happens to Monarch slaves. Later in the film, Dorothy states, “My! people come and go so quickly.” This is exactly what happens to the Monarch slave whose multiple personalities come and go. When the multiple personalities switch in and out very fast a spinning process can start which can be dangerous if it doesn’t stop. Just like most hiccuping stops on its own, the rapid uncontrolled switching (which can be triggered by stress) usually stops on its own. Systems which subconsciously know they are going to be tortured and used may out of a subconscious fear begin this revolving switching. It is said that the Monarch victim will become comatose if the rapid spinning goes on too long. Personalities are switched in what are called “tornado spins” or “tornado spinning” and personalities called “spin off’ personalities come up according to the number of revolutions the slave is commanded to spin. By spinning the slave, the master can choose what sexual perversion he wants as each “spin off’ personality has been trained to carry out a different perversion.
Over the rainbow in Oz is for the Monarch slave to be in a trance, and into a certain area of the programming. To be fluctuating at both ends as an observer and not a participant or to go to the other extreme and become a participant. The theme song of the movie goes, “Somewhere over the Rainbow...there’s a land where the dreams that you dare to dream really come true.” These lyrics are a method to hypnotically confuse the brain to perceive that the “over the Rainbow experience” (which is usually horrible abuse) is a “dream”. The dissociative mind is only too happy to call the trauma a dream, which is lived as a reality for a moment, but is nevertheless recorded by the mind as a fantasy. The term for this is cryptoamnesia, which means the process where the proper functioning of memory is hypnotically messed up. The slave’s internal world becomes “reality” and the external real world becomes the Land of Oz which is perceived as make-believe.
Dwarfs are used in the internal programming. (Hollywood hired a large number of them for the movie’s cast. They are called Munchkins in the movie.) Mengele, known as the programmer Dr. Green, was especially interested in experimenting traumas on dwarfs. For bona-fides & recognition signals, the Monarch slaves wear diamonds to signify they are presidential models, rubies to signify their Oz programming for prostitution, and emeralds to signify their programming to do drug business. Rings are also used to signify what activity the slave is doing, and what rank or level they are in the occult. Monarch slaves are taught to “follow the yellow brick road.” No matter what fearful things lie ahead, the Monarch slave must follow the Yellow Brick Road which is set out before them by their master. For some slaves used as track stars, their Yellow Brick Road was the track they had to run. The Yellow Brick Road is the runway in which alters were trained to fly off from to exit their internal world and take the body. The Yellow Brick Road also pertains to the assignment that an alter is given. To follow the Yellow Brick Road is to go down the road that has been assigned by command. The Yellow Brick Road programming is placed into the child’s mind via the Yellow Brick Road of the Wizard of Oz story. Remember the key words, “Follow the Yellow Brick Road.” To get someone onto the Yellow Brick Road you must know the access code to get them through the poppy field. The color codes are important to get an alter through the field of poppies.
Fiddler” is important word to get to the yellow brick road (it signifies the programmer in the context of “the programmer is here, go over the rainbow”) and then the alters eat what is variously called MUSIC or a SCRIPT or A LETTER which are words meaning “instructions.” In the 1900 edition of the book on page 3 1-32 says (programming cues are in caps), “She closed the door, locked it, and put the KEY carefully in the pocket of her dress. And so, with Toto trotting along soberly behind her, SHE STARTED ON HER JOURNEY. THERE WERE SEVERAL ROADS NEAR BY, BUT IT DID NOT TAKE HER LONG TO FIND THE ONE PAVED WITH YELLOW BRICK. Within a short time she was walking briskly toward the EMERALD CITY, HER SILVER SHOES tinkling merrily on the hard, YELLOW ROADBED. The sun shone BRIGHT AND THE BIRDS SANG SWEET and Dorothy did not feel nearly as bad as you might think a little girl would who had been SUDDENLY WHISKED AWAY FROM HER OWN COUNTRY AND SET DOWN IN THE MIDST OF A STRANGE LAND....The houses of the Munchkins were odd-looking dwellings,...ALL WERE PAINTED BLUE, for in this country of the EAST BLUE WAS THE FAVORITE COLOR.. .FIVE LITTLE FIDDLERS PLAYED AS LOUDLY AS POSSIBLE AND THE PEOPLE WERE LAUGHING AND SINGING, while a big table nearby was loaded with DELICIOUS FRUITS [the programs] and NUTS, PIES, and cakes, and many OTHER GOOD THINGS TO EAT [scripts to ingest].”
Monarch slaves are threatened with fire, like the Scarecrow. They also see people dismembered like the Scarecrow was dismembered. For them it is not an idle threat. The front alters also have hearts full of pain like Scarecrow.
Certain alters are not given courage and most have their hearts taken from them. The alters who are programmed not to have hearts are hypnotically told the same thing the Tin Man says, “I could be human if I only had a heart.” (See Chapter 4, where it discusses hypnosurgery.)
Some alters are taught they are stupid and have no brain. Scarecrow is asked the question, “How can you talk without a brain? Scarecrow answers, “Some people without a brain can do a lot of talking.” Emerald City is used in programming. Emerald City in the programming will be well guarded and hard to reach. Several important things will be placed inside the Emerald City, including the deeper Illuminati alters.
Castles are used in the programming. Lots of castles, either in the mind’s imagery or purely demoniac are placed into the slave’s mind. Winged monkeys are able to watch in the movies somewhat as spy satellites. Winged monkeys are used in the programming to create a fear of always being watched. The Flowers used in the movie and books, are also used in the programming. The witch uses poppy flowers to put the lion and Dorothy to sleep. Opium and cocaine are used to tranquilize Monarch slaves. An alter of a slave will get trancy when they enter the poppy field. (Heroin and cocaine come from poppies.) In the film, Dorothy says, “What is happening? I’m so sleepy.” She and the lion get sleepy for no apparent reason very quickly. Monarch slaves do the same thing. Waking up with snow in the movie is nothing less than an allusion to cocaine which is a common substance given to Monarch slaves to help make them dependent.
Dorothy states at one point in the movie that she “doesn’t remember”. She then follows this up with “I guess it doesn’t matter.” Hour glasses appear in the movie in several spots, and they also occur in various contexts in people who have been programmed by the Monarch programming. Some victims of the programming have hour glass configurations each created around a separate axis. The hour glasses have the ability to be rotated which causes certain alters to be brought forward. Monarch slave masters have also used hour glasses to indicate to their slaves that death was imminent and that time was running out. This is the way the wicked witch used the hour glass on Dorothy, who happens to be saved just as the hour glass runs out. Some Monarch slave masters actually have large hour glasses (sometimes 3’ high) like in the movie. (In Cathy O’Brien’s autobiography of her life as a Monarch slave Transformation of America she has a photograph of Sec. of Defense Cheney’s hour glass on his desk with him seated. This hour glass was used to threaten her as a slave.) When a Monarch slave sees an hour glass they may switch, but basically it is a reminder that the slave masters have the power to run a person’s time out. One slave was told, “The sand that sifts through the hourglass is a measure of your worthiness to live or die.” The hour glass shape is basically two triangles which touch at their peaks, or an X configuration with the tops of the X having lines. The child’s mind is to visualize this configuration as a compass, as the four points N, 5, E, W, they are to see the X configuration also as an x, y axis upon which a city is structured upon. The hour glass then is tied to several other concepts which integrate themselves well with the basic X shape of the hour glass. Circles with X’s are stacked on top of each other to form the different worlds which contain the alters. The two pie shaped pieces of the hour glass will hold one world, while the hour glass configuration made by the other two adjacent pieces hold the looking glass mirror images of each alter. Each hour glass is called 2 quadrants. To remove 4 quadrants would of course take both alters and mirror images with it. In mathematics, it could be stated that regular alters are in quadrant x,y and -x, -y. And that the looking glass people--the mirror images, early splits made from each alter as a copy, are in quadrants - x, y and x, -y. (See the chapter on how to structure a System) “Click your heel together and be there in a snap” is both in the movie and in the programming cues. Military Monarch slave models are especially taught to click their heels together. (Joseph Mengele, Dr. Black, Michael Aquino and others also liked to click their Nazi boots together while they programmed children.)
“SILENCE!” is both in the movie and a command of the Oz Programming. This word SILENCE stands for a code of “no talk” which runs deep in the mind of the slave. As in the movie, certain slave alters will talk to their masters as Dorothy did, “If you please, Sir...”
The keys (and triggers) to control the switching of personalities and to give orders are frequently based on Wizard of Oz material. A Monarch slave owner might use cues based on the Wizard of Oz such As “THERE’S A PAIR OF MAGIC SHOES TO WEAR WITH YOUR DRESS...SOMETHING IN LIGHTENING...TO TRANSPORT YOU FASTER THAN THE OL’ RUBY SLIPPERS.” (Quote from O’Brien, Cathy. “Operation Carrier Pigeon”, Monograph, pg. 2.) A cryptic death threat given to Cathy as a slave by handler Sec. of Defense Cheney to kill her daughter by taking off her daughter’s ears was then backed up by the hypnotic command based on Wizard of Oz programming, “I’LL GET HER, MY PRETTY. . .YOUR LITTLE GIRL.”
The programming that is related to the Tin Man produces a monarch slave which is described as “A WELL OILED MACHINE” by the handlers. U.S. Sen. Allen Simpson, one of the perpetrators of the Monarch Program, referred to the Tin Man programming when he told a slave “THESE ARE BUT EMPTY SHELLS OF THE LIFE THEY WERE ONCE POSSESSED. LIKE YOU ARE—EMPTY AND VOID OF LIFE.”Phrases like “troubles melt” can be found in both the movie and in the programming.
Let’s now cover what programming is based on the Oz books, that isn’t found in the movie. A great deal of the Oz programming comes from the books, of which only the first book was used for the movie. The public is familiar with the movie which is based on the first one, but in general doesn’t know the other books exist. We will not go through the scripts of all 14 books--there isn’t room for that, but by going through a few of the books, the reader will begin to see the massive amount of material which was used for programming scripts in the Oz books. It is one thing to say, the Wizard of Oz was used as a mind-control programming script, but that doesn’t convey the extent of it. Large sections of the 14 books are almost perfect for mind-control. If you take the trouble to read these quotes, you may find yourself startled at what you thought at first glance was a nice child story!
Sursa: How The Illuminati Create An Undetectable Total Mind Controlled Slave
Cateodata ma simt ca si cum am fi as fi intr-un serial din "La Limita imposibilului" 
, si acolo sunt multe mesaje mai din "umbra". Cand mi-am dat si eu seama in ce lume ma aflu am fost foarte dezamagit, dar totusi acum stiu cam ce se misca prin jurul meu ma simt mai liber. 
. 
. Semnele sunt peste tot, ne inconjoara, numai sa vrem sa le vedem 
. Ma bucura faptul ca nu sunt singur, nu am fost si nu voi fi vreodata, si ca mai sunt oameni care incearca trezirea semenilor care sunt inca in hipnoza. MULT RESPECT pentru tot ceea ce faci tu si colegii tai, Dumnezeu sa va dea putere si rabdare si multa, multa LINISTE SUFLETEASCA 
"Disney se spala de mai multe ori pe maini in fiecare ora "la subiectul "mesaje subliminale". Iti Multumesc Mult 
si ITI MULTUMESC pentru toate aprecierile facute.